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Bastard Daughter is a little unpolished but a lot of fun, and with an underlying poignancy that is well-earned. Humperdinck should be proud. Fringe vet and Monster Theatre collaborator Tara Travis shares her real-life experience getting to know her dead in-laws via psychic visits.

Mexican or Bulgaria only a sparse set Travis is able to sketch out absorbing portraits and dialogue. In one breath she leaps from emotional vulnerability to flawless comic timing.

Ouija board says: see this one. A pleasant thought experiment. Lighting, choreography and the uncertain thrill of the outdoors propel the story forward.

But in return for what this outdoor, site-specific work takes away in comfort, it gives back in total agency.